Saturday, September 22, 2007

WHACK THE GOPHER IV: THE FINAL CHAPTER

Except it isn't of course. The response I've gotten to these posts suggests we're going to be revisiting the issues as developments warrant. So let's just say it's the final chapter for now.

So, after parts I, II, and III of this series, the logical question is "what can we do about it?"

There is a lot we can do, but none of it is aimed at stopping people from posting copyrighted fiction on free sites. That ain't gonna happen, no matter how much the dinosaurs bellow in the swamps.

However that is a long, long way from saying copyrights are useless and authors can't expect to get paid for their work. Copyrights are not useless and authors can not only expect to get paid, most of the smart ones can expect to make more money in this brave new world than in the old.

The bad news is that genre fiction is going to be available for free on the internet. There is simply no way to stop it. SFWA can file all the DMCA takedown notices it wants. Individual authors can sue if they want. Crazed Luddite SFWA vice-presidents can rant about "netscabs" (on other people's pages because they're too technophobic to have one of their own). And none of it matters. People will continue to post copyrighted works for free. For every one you can shut down there will be two, or ten or 20 more.

The technology has simply moved beyond the kind of control publishers had a hundred years ago. Live with it.

(There is also going to be a sea change in the way genre fiction, especially science fiction and erotica, are going to be distributed in this country. This will probably mean the death of a lot of major publishers, and the transformation of the book store into something nearly unrecognizable. There are a lot of complex reasons for this and it really deserves a post of its own.)

The good news about all this is there is going to be a lot more genre fiction available to readers at a lot lower prices and as a class the authors are going to be a lot better compensated.

One way or another, most genre fiction is going to be sold over the internet. You'll either buy it directly on your own computer, or you'll get it in electronic or print form from something like a print on demand kiosk. You may even download and print books on your home system. That's not as big a job as you might think. To see what I mean DAGS "Blue Squirrel".

The Real Solution To Piracy

But while you can't stop free distribution you can stop is piracy for profit. Whether it's designer knock-offs, DVD movies or online fiction, if someone is paying for it, it's a lot easier to control.

"Stop" is a misnomer. You can't really stop piracy. But you can crack down on it hard enough to keep it down to an acceptable level.

The reason is that there's a money trail. If you can't locate the pirate through the work posted, you can locate them by following the money. That's why outfits like the RIAA have been a lot more successful at shutting down the commercial pirates than the file sharers.

The legitimate publisher has some advantages as well. One of the big ones is convenience. Why go to the trouble of searching out a pirate site, when you can go to someplace like Amazon and get everything you want in one place?

Today the incentive is money. Novels are expensive. When books are instantly available for, say, a dollar each, it becomes much less of incentive. In fact for most people it drops below the action threshold.

And yes, we can make novels available for a dollar or so each without significantly cutting into the author's royalties. In fact the late G. Harry Stine and I were in the process of forming just such an online publishing venture several years ago when Harry's untimely death ended the project. Our rather extensive calculations indicated that not only would the authors make as much money as they do now, but the profits to the publisher would be quite nice as well. Most of the cost of a book today is eaten up in an unwieldy system of production and distribution - but that's a subject for another post.

One of the reasons is that as cost goes down, sales go up. I firmly believe that low-cost books will sell enough to swamp the effects of pirate postings - which, as we saw in a previous post in this series, probably aren't resulting in that many lost sales anyway.

So, low price means high sales and less piracy. We've seen this happen before, specifically in the software industry. Back in the early 1980s Borland stood the software business on its head with Turbo Pascal, a full implementation of the Pascal programming language, complete with a nice little Integrated Development Environment (IDE) for the amazing price of $35. That was perhaps a tenth of what competing versions of Pascal were selling for and Borland sold a ton of copies.

What was interesting about this was that unlike most of its high-priced rivals, Turbo Pascal wasn't copy protected. Borland made no attempt to stop anyone from copying the disks. Phillipe Kahn, Borland's saxophone-playing president, figured that by keeping the price so low - for the time anyway - he removed most of the incentive to steal Turbo Pascal.

It's worth noting that except for games, most software companies have followed Kahn's lead. Software copy protection as a field isn't dead, but it is generally moribund.

Okay, that's not the whole story. And the way it isn't the whole story is interesting in itself. Kahn did one other thing with Turbo Pascal: He provided a neatly printed manual, which was (misnomer alert) perfect bound (/misnomer alert) like a paperback book. That meant that if you opened it flat to copy it, the spine cracked and the pages fell out. What Kahn did (and having met the guy I'm sure he did it deliberately) was to provide a way to add value to a legitimate purchase that the pirates couldn't match.

Changes in the product

But what about fiction? It doesn't need a manual, after all.

No it doesn't, but that's the other part of the change we're facing. The nature of what authors sell is going to change as well. Increasingly, it won't be just a book or a story, it will be membership in a community.

Successful works of genre fiction tend to build communities naturally. You can see the proof walking the halls of any science fiction convention. Savvy authors are going to use new media tools to capitalize on this to build not just sales, but a loyal following and to provide other products as well.

To see a very early example of this, stop by Baen Publishing's web site and pay special attention to the "1632" universe in all its ramifications. 1632 was originally the brainchild of Eric Flint, who also manages the Baen Free Library. It is the story of a West Virginia coal mining town suddenly plunked down in Germany at the height of the 30 Years War. It is alternate history at its finest and most fun and the original novel has been followed up by a sprawling collection of novels and short story collections. It has also spawned a very active fan base, many of which hang out at the Baen web site, especially in the forum called "Baen's Bar."

The development is still nascent, but with a little imagination it's easy to see how something like the 1632 phenomenon could provide even more value to the readers - value that a lot them would be willing to pay for.

Changes in the authors

The other thing this encourages is a completely different approach to writing genre fiction. While there will undoubtedly be authors who will continue to do things the way we do them now, the ones who will be most successful will be the ones who embrace the notion of community-building around their fiction.

In a sense this is a throwback to the 19th Century when popular authors like Twain and Dickens made more of their money on lecture tours than they did from the sales of their books. However the effect will be enhanced, amplified and zoomed up by the use of everything from web sites and blogs to YouTube videos and MySpace pages.

The author becomes the focus of community and the only thing the free posters will do is build that community further.

The world will be different, the demands on the authors will be different, but in many ways, both socially and financially, it will be a much more rewarding world for those who are willing to adapt.

2 comments:

Anonymous said...

what does "To see what I mean DAGS "Blue Squirrel"" mean? Or more to the point, what are the missing words to that sentence?

Rick Cook said...

DAGS = Do A Google Search
Blue Squirrel is the name of the company